MALTA

"The Beheading of Saint John the Baptist" (1608) by Caravaggio, which resides in the Oratory of St. John's Co-Cathedral in Valletta, Malta.

When I was a child, one of the first paintings that impressed me was Caravaggio's "Martha and Mary Magdalene" (1598). I was intrigued by the idea that he might have used Fillide Melandroni, an Italian courtesan, as the model for Mary. 

His ability to infuse religious subjects with a sense of realism and human vulnerability distinguished him from other artists of his time. Unlike the idealized portrayals common in Renaissance art, Caravaggio's figures were raw and often modeled after ordinary people with their many flaws.

Caravaggio's mastery of chiaroscuro, with its contrasts between light and dark, added a striking depth and emotional intensity to his paintings, where light symbolized divinity and enlightenment, and darkness signified ignorance, evil, or death.

Despite being an artistic genius, Caravaggio was a violent man, and in 1607, he fled to Malta to escape a murder charge in Rome. Under the patronage of Grand Master Alof de Wignacourt of the Order of St. John of Jerusalem and the Knights Hospitaller, Malta provided him refuge—but only if he painted for them.

This is what first drew me to Malta.

Teaching has always been a pursuit that I admired, and I attribute much of my success to the educators and mentors who have influenced me throughout my life. The ability to effectively guide others is a rare skill, one that requires both knowledge and the art of understanding a whole person.

I find it incredible when someone not only acquires a breadth of knowledge but also has the courage to impart that wisdom to guide others. This interaction is pivotal as it provides students with diverse perspectives, empowering them to shape their own opinions. Such empowerment nurtures autonomy in one’s life choices.

While teaching isn't my ultimate career goal, I see it as a skill applicable across disciplines, one I aim to cultivate throughout my life and profession.

Throughout my undergraduate studies at Drexel University, I was a volunteer teacher at various refugee and immigrant resettlement programs in Philadelphia. Teaching migrants during this time sparked my passion to understand and assist this population.

Malta’s small size juxtaposed with its significant migrant population intrigued me, prompting my interest in exploring how they manage this unique situation.

Dingli cliffs, Dingli, Malta

Fulbright ETA 2023-2024 Recap

Mount Etna, Sicily, Italy

autumn

When I first arrived in Malta, understanding the migrant experience was a key motivation for me. During those initial months, my approach was to observe as much as I could before considering how I could contribute positively. Being in such a diverse school environment was eye-opening. It became clear to me how national politics and laws directly influenced everyday life in a public school classrooms — from class sizes and teacher and student resources to the support available to educators.

I noticed that many migrants came from various countries, having previously lived in places like Dubai, and were aiming to move further north in Europe. Many of them worked as bus drivers, Bolt food deliverers, waiters, etc.

Gozo, Malta

I vividly remember that around the same time I was settling in, Lampedusa, an Italian island in the Mediterranean and very close to Malta, experienced a significant influx of migrants. They were arriving from Libya on overcrowded boats, and the small Italian island struggled to accommodate such a large group. This situation sparked concern among Maltese locals about similar scenarios unfolding on their own island, highlighting the ongoing complexities and human impact of migration policies and responses across Europe.

Transylvania, Romania

winter

Despite teaching for a long time in Philadelphia, I often found it difficult to adapt to the teaching styles in Malta and to figure out how to best support my teachers. However, as the winter season began, I started to get the hang of teaching—not only with secondary students, but also with university students.

I also realized that I didn’t want my time in Malta to just be about observing or studying the migrant experience from a distance. I wanted to be part of it in a more active, engaged way. That’s what led me to the Platform for Migration at the University of Malta.

Joining the platform gave me the chance to listen more closely, to contribute where I could, and to better understand the realities of migration in Malta through real conversations.

Nazaré, Portugal

spring

St Peter’s Pool, Malta

Toward the end of my Fulbright, I decided it was time to stop observing and really jump in. I teamed up with the Migrant Women Association in Malta and actually designed and taught a class for the first time—on IT literacy. It was challenging but also one of the most rewarding parts of my experience.

I can’t talk about my Fulbright without mentioning the Maltese community. They are some of the kindest and most resilient people I’ve met. The teachers I worked with welcomed me into their classrooms, shared their time and ideas generously, and supported me through every challenge. Their openness and encouragement made me feel at home in Malta, and I’ll always be grateful for the lessons and friendships I gained from them.

Normandy, France (80th anniversary of D-Day)

I first came to Malta drawn by Caravaggio’s paintings, eager to see the art that had fascinated me for years. But I leave with so much more.

This Fulbright has been more than teaching or research — it has been about people, resilience, kindness, and connection. My time here has challenged me, expanded my perspective, and given me another place I can call home.

grazzi ħafna, Malta!